In this context, the idea that computer art – in its definition from the 1970s – could be a drawing of a computer is not very distant from strict contemporary interpretations of what the curatorial approach for computer art and new media should be. ‘The conference attendees had responded to the “call for computer art” by sending in their children’s drawings of computers (with tape drives and consoles as big as refrigerators). I thought this was hysterical at the time, especially since the show management actually hung the drawings up. To somebody, they were computer art’ (De Fanti in Rivlin, 1986: xii).
Artworks by:
Nicola Gördes
Elza Javakhishvili
Holger Küper
Alischa Diana Leutner
Richard Opoku-Agyemang
An exhibition and workshop curated by:
Prof. Lanfranco Aceti - Sabanci University and Goldsmiths College
in collaboration with TU Dortmund University
Hosted by Museum für Kunst und Kulturgeschichte
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Nicola Gördes
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| Nicola Gördes |
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| Richard Opoku-Agyemang |
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| Richard Opoku-Agyemang |
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| Richard Opoku-Agyemang |
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| Richard Opoku-Agyemang |
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Alischa Diana Leutner, Holger Küper |
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| Elza Javakhishvili |
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| Elza Javakhishvili |
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| Lanfranco Aceti |
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| Lanfranco Aceti |
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